Evaluation
The short extract of a possible film is used to show a arthouse feel towards the film. This is apparent due to the rigid scenes made possible by the handheld camera. This scene starts with the camera focusing on the main character who is taking photos. The use of a long shot and an establishing shot allows the scene to be identified and suits the audience's needs. There is a visible straight cut which changes angles to introduce a new character. This is used to identify the new character who is being introduced. The extract continues to be played out in a raw viewing which suits the overall film look. There were many predicaments while shooting this film (mainly to do with sound). We used the extension cord to process the sound and makes it become clearer. Also, while in post-production, the actors and setting starts to change especially when I tried to add match on action. Overall, the film had no major problems with the scenes looking neat.
Shot List
Shot No
|
Description
|
Filmed
|
1
|
MS of the person lifting the
phone to take a picture; tracking shot
|
ü
|
2
|
Changes shot with the person
focusing on the picture; MS
|
ü
|
3
|
Shot changes; stays as a
medium shot but camera shows a new character
|
ü
|
4
|
Over the shoulder shot
focusing on one character.
|
ü
|
5
|
Over the shoulder shot
focusing on one character.
|
ü
|
6
|
Over the shoulder shot
focusing on one character.
|
ü
|
7
|
Shot tracking the informant
as he exists the scene
|
ü
|
8
|
Shot focuses on the main
character; tracking shot follows him entering the cinema.
|
ü
|
9
|
Shot turns black
|
|
10
|
Video resumes with a long
shot; focusing on the main character
|
ü
|
11
|
Match-on-Action; camera
closes up on the phone being looked at by the main character.
|
ü
|
12
|
Medium shot of the person
entering the cinema
|
ü
|
13
|
Shot changes with the person
looking for his seat; MS
|
ü
|
14
|
Shot turns black
|
|
15
|
Track shot across the seat
|
ü
|
16
|
MS of the person being
kidnapped
|
ü
|
17
|
Shot turns black
|
|
18
|
Shot out of focus; LS
|
ü
|
19
|
Shot focuses; focusing on
the criminal holding the person captive.
|
ü
|
20
|
Low angle shot
|
ü
|
21
|
Shot focuses; focusing on
the criminal holding the person captive.
|
ü
|
22
|
Shot tracking the criminal
movement
|
ü
|